Dvorak Mass in D Major – June 2013 by Harry Wiggett


From Hip Hop to Hosanna

Within the past eight days Jean (my wife) and I have had the privilege of experiencing two events which have had a refreshingly profound effect on us, and for me have enhanced my understanding of the word “church”!

The first was on Sunday 16 June when we spent ten hours – from 8.00a.m. to 6.00p.m.- in the Good Hope Centre, Cape Town, attending a national Hip-Hop Competition in which our two Johannesburg granddaughters were participating. Continue reading

Brahms Requiem – October 2013 by Harry Wiggett


Performed in the Cape Town City Hall on Tuesday 15th October 2013 under the direction of Conductor Alexander Fokkens


My first experience of the Brahms Requiem in the same venue some years ago was a disappointment. We had been invited to attend the performance and we were, indeed, looking forward to it.

However, the playing and singing on that occasion might have been word and note perfect, but the performance was both leaden and dismal. As a result of which my wife, Jean, and I agreed to give future airings of this work a miss. Continue reading

For The Love of Music – by Nadia Essop


By Nadia Essop

Miss Pretty Yende won the World Opera Competition, Operalia 2011. Operalia is an annual event that attracts hundreds of hopefuls from across the world. The soprano triumphed in 3 categories! Pretty Yende is a South African – she is of Zulu ancestry.

One may wonder what the colour of her skin, her small town roots, or her cultural heritage have to do with her credibility as an opera singer. Nothing… Except perhaps, as reason to pause and reflect on our South African musical past. During Apartheid it was undoubtedly a different experience for gifted young singers, as well as for members of the audience. Continue reading

A word about our Accompanist – 17 May 2012 by Harry Wiggett

Now that the “Star”dust of our Frostiana performance is settling, and all the notes, like The Pasture”s fallen leaves, have been happily raked up, and the temperature of concert night (centigrade or fahrenheit – take your pick) has cooled down, it seems opportune in the loveliness of the afterglow, to focus appreciatively on one star in our glittering constellation that did not shine with us on stage on Tuesday night: MARGARET FOXCROFT! Continue reading

Mozart and the spaces in-between – October 2013 by Nadia Essop


By Nadia Essop

 Tonight was concert night, our performance ended hours ago. The music had been rehearsed and performed, the scores and instruments have been packed away, and soon the warm applause from the audience will fade into warm memory.

I remember exactly how our musical director revealed the latest challenge to the choir: ‘This is it, this is perfection!’ We would be performing Mozart’s Mass in C Minor. During the weeks of preparation that followed, our choir master used (what would become) a ubiquitous vocabulary of words and phrases, such as: out of this world, simple yet powerful, one long line, must flow, like elastic, the heartbeat, on one breath, the pulse, purity, and don’t breathe! Of these, my favourite became the spaces, space.  Pencil scribbles on my music score can attest to this. I’ve come to understand that space is not the same as pause, nor linger, dawdle or stop. Space –where required, and while never letting go of the rhythm- would elevate the piece, would make it breathe and live. It was this dance between space and rhythm that enthralled me. Continue reading

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